Harriet Min Zhang
哈利
1. Projects
Somewhere in the fog / 霧下症狀
Clean noise / 靜噪
Time moves with merciful slowness... / 慢鐘
Under the gavel / 一聲千兩
The enduring ephemeral / 慢漫
Echoes of Mt. Qomolangma / 珠穆朗瑪的迴響
I spoke to them
Parallel
Blue cables in Venetian watercourse / 他山之石，新代理人
People’s Park Plinth
2. Public programmes
3. Writings
4. Translations
5. studio@DING
6. About
7. Chronological archive
Exhibition Text
It was a group exhibition presenting five artists’ recent research. Fog in the title refers to our inability to escape various forms of sacred texts around us. The artists worked around themes including magic and gardening techniques, control and immune system, listening and ecological circulation, defence and night stalkers, and daily activities and cultural cooking. While scientific, technological, medical and social scripts imply on an overall logic in which contemporary bodies are highly medicalised and pathologised, the artists in the project were trying to reject it through their own visual symbols.
Wenxuan Wang’s new series, Step Back.
Wenxuan Wang. Corner home (wall piece). 2024. Photography, giclee print. Variable Dimensions.
Wenxuan Wang. Stalker (Fox，II-VII). 2024. Photography, giclee print. 16.5 X 24.5 cm each.
Wenxuan Wang. Eavesdropper. 2024. Sound, cement, resin, plaster, twine, straw, salvage bronze and wood cleat rope guide, mixed materials. Variable dimensions (sculpture). 15 min (sound).
Wenxuan Wang. Stalker (Foot). 2024. Cement, asphalt, mixed materials. 20 x 13 x 10 cm.
Wenxuan Wang. Stalker (Fox, I). 2024. Photography, giclee print.
16.5 x 11 cm.
Karin Borer. Run Rabbit Run. 2023. 2-channel Video. Sound by Daniel Kurth. 5 min 30 sec.
Karin Borer. Run Rabbit Run. 2023. 2-channel Video. Sound by Daniel Kurth. 5 min 30 sec.
Lijuan Liu. Banyan. 2024. UV prints on lightboxes.
Variable dimensions.
Lijuan Liu. Canary off the mine.
2024. Photography, giclee print. 20 x 30 cm.
Lijuan Liu. Skin reactions. 2024. Laser-cut mirror. 60 x 27 cm.
Lijuan Liu. Canary off the mine.2024. Photography, giclee print. 20 x 30 cm.
Lijuan Liu. Skin reactions. 2024. Laser-cut mirror. 60 x 27 cm.
Ningyue Qian. Sugar Trade.
2024. Sugar, glass, brick.
50 x 40 x 10 cm.
Ningyue. Qian. Circulation of the cooked. 2024. Sugar, glass, brick, flour. 48 x 40 x 18 cm. Ningyue. Qian. Circulation of the cooked. 2024. Sugar, glass, brick, flour. 48 x 40 x 18 cm.
Gillies Adamson Semple. Volumes. 2024. 12’ Vinyl LP. 9 min 3 sec.
Gillies Adamson Semple. Volumes. 2024. 12’ Vinyl LP, video. 9 min 3 sec. Ningyue. Qian. Circulation of the cooked. 2024. Sugar, glass, brick, flour. 48 x 40 x 18 cm.
Gillies Adamson Semple. Untitled (Aalto House) 1 & 3. 2024. White UV print on aluminium, fresh water pearls. 42 x 29 x 0.3 cm each.
Gillies Adamson Semple. Untitled (Aalto House) 1 & 3. 2024. White UV print on aluminium, fresh water pearls. 42 x 29 x 0.3 cm each.
Gillies Adamson Semple. Interior (North and East Doors) & Interior (East Wall Corner). 2024. Photography, giclee print.
95 x 75 cm each.
Ningyue Qian. Cooking. 2024. Flour, kitchenware, table. 面团，厨具，木桌. 280 x 240 x 100 cm
Ningyue Qian. Cooking. 2024. Flour, kitchenware, table. 面团，厨具，木桌. 280 x 240 x 100 cm
Gillies Adamson Semple. Untitled (Curves).
2024. Wooden French curves, watercolour, steel pin. Variable dimensions.
Gillies Adamson Semple. Untitled (Curves).
2024. Wooden French curves, watercolour, steel pin. Variable dimensions.
哈利
Somewhere in the fog / 霧下症狀
Clean noise / 靜噪
Time moves with merciful slowness... / 慢鐘
Under the gavel / 一聲千兩
The enduring ephemeral / 慢漫
Echoes of Mt. Qomolangma / 珠穆朗瑪的迴響
I spoke to them
Parallel
Blue cables in Venetian watercourse / 他山之石，新代理人
People’s Park Plinth
2. Public programmes
3. Writings
4. Translations
5. studio@DING
6. About
7. Chronological archive
Exhibition Text
It was a group exhibition presenting five artists’ recent research. Fog in the title refers to our inability to escape various forms of sacred texts around us. The artists worked around themes including magic and gardening techniques, control and immune system, listening and ecological circulation, defence and night stalkers, and daily activities and cultural cooking. While scientific, technological, medical and social scripts imply on an overall logic in which contemporary bodies are highly medicalised and pathologised, the artists in the project were trying to reject it through their own visual symbols.
Wenxuan Wang. Stalker (Fox，II-VII). 2024. Photography, giclee print. 16.5 X 24.5 cm each.
Lijuan Liu. Skin reactions. 2024. Laser-cut mirror. 60 x 27 cm.
Lijuan Liu. Skin reactions. 2024. Laser-cut mirror. 60 x 27 cm.
Gillies Adamson Semple. Untitled (Aalto House) 1 & 3. 2024. White UV print on aluminium, fresh water pearls. 42 x 29 x 0.3 cm each.
Ningyue Qian. Cooking. 2024. Flour, kitchenware, table. 面团，厨具，木桌. 280 x 240 x 100 cm